Gah, July!

Gah. where do I begin? I promised myself to blog at least TWICE a month and where did that get me? I have no other excuse other than I have been, as Americans would call it, "crazy busy." 


Let's see, I made more of those striped Maxi dresses for friends: 

Then I attempted to make a skirt with a bunch of cotton scarves that I got on sale:

I kinda wasn't feeling it, so I shelved the project for another day. Do you know why? Because my wonderful  mother distracted me with this:

She got me 4.5 meters of this staggeringly beautiful blue grey embroidered Indian silk. I want to do a tunic with it, nothing complicated with so many darts and tucks that I have to distort the beautiful embroidery on this fabric. I am, however, doing some more beading on it and it's so much fun. I'm using gold metal beads (not metallic beads, real metal beads. I'm so happy I found some.)


While I was beading, I also decided to make a wearable muslin of the tunic I want to make out of the Indian silk. I made it and my mother loved it so much, she claimed it. >D I will take in the sides a little bit and maybe add darts (maybe) at the back for the next version. My mom was happy with the first one, I'm not complaining. 

Self-drafted, 100% cotton.

Most of all, my time has been taken up by this little boy: 

I wake up to this everyday and I love it. 

Downton Progress!

Last weekend and my Monday and Tuesday have been busy busy busy! I cut the bodice fabrics for the 1910s Tea Gown, basted, crazily decided to do the whole thing by hand (just needle and thread, no machines)and all this happened while I rewatched Downton Abbey and American Horror story.

Baste baste baste!

I'm especially proud of the sleeves. I overcasted the side of the bodice by hand.

A closer look at the lace. The solid black fabric is the Italian Satin I bought on the whim with no clear idea what to do with it. So glad I finally found a use for it.

Then tomorrow, I'm going to be marking and cutting all those skirts and overskirts.


The next part of my progress is this:

My husband and I on our wedding day, April 15, 2005

I bought the dress from David's Bridal. It was on a sale rack with the other bridesmaid gowns, the last piece of that style and wonderfully marked down. It was the only champagne colored, historically inspired and slim dress in the whole jumble of stark white strapless voluminous A-lines. It had an overskirt, yo. Then I tried it on and it fit PERFECTLY. 


While the silhouette of the dress was gorgeous, it lacked in embellishment. So off I went to Joanns and Hobby Lobby to find beads that matched the sparse beading that was already on the dress. I only had two weeks to embellish my wedding dress. (Yeah, two weeks. That's another long story) So off my inept self went. I was able to bead only what was needed, but nothing beyond that. It took me forever, I have never sewn or beaded anything before. Then I got married and put the dress away. I only had a small amount of regret for not being able to finish the embroidery and beading.


Seven years and loads of sewing and beading experience later, I decided to pick it up again. 

This is the dress before I beaded anything on it. Photo taken in late March, 2005

My Work In Progress. I really would like to fill the whole bodice with pretty pretty silver beads.
Photo taken today, January 31, 2012.

 I am quite happy with how it turned out. I had no set pattern to follow and it was so much fun to do. I cannot wait to finish both these dresses.


I am thinking of beading the black 1910s Tea Gown with black beads and crystals. What do you think?

Dressing Downton, Sewing Downton

It's no surprise to anyone who knows me that I fell head over heels in love with Downton Abbey. I watched it for the clothes at first, then got sucked in by the drama less than two second later. To celebrate my obsession with this show, I have decided to sew up some Edwardian pieces (also, garments that can be styled as such) I am so excited!


To prepare for all this sewing, I downloaded several patterns from Sense and Sensibility Patterns. I spent the better part of the weekend printing everything out and taping the first pattern I'm going to work on. I decided to work on the 1910s Tea Gown Pattern first. I am going to do it in black fabrics: black lace, black italian satin, black chiffon etc. Kind of fitting since Downtown Abbey started with a tragedy and a memorial (I also have mostly black fabric in my large stash that I have to get rid of before I justify buying any more fabric *cough*)

And of course, I have been collecting pots of inspiration from different places. The possibilities for embellishment and construction are endless. Here's hoping I come up with something fairly cohesive that is also fairly historically accurate.

NOTE: I was on a right-click-save binge, so all the images (except the one from Sense and Sensibility Patterns) are of semi-unknown origin. If you want credit for these pictures or want me to take them down, let me know, 'kay?

I shall call you HIPPIEDOOM!

Image from www.panilisnewska.com

I bought 4.8 meters of Lecien's "My Folklore" quilting cotton on a whim a couple of weeks ago and I knew I had to make some kind of maxi dress with it. The fabric is a strange brownish eggplant with a blue and yellow flower motif and a really sweet looking border. I was also set on trying my hand at making a Gunne Sax-esque dress I've been drooling over at Etsy for the past couple of days.

Image from etsy.com

Image from etsy.com

Image from etsy.com

Image from etsy.com

The whole dress is self-drafted, but heavily based on the Weisn Dirndl from Burdastyle. I love the princess armhole, the pleated looking skirt and the slightly puffed sleeves.

I made the princess armhole bodice from my basic sloper and added sleeves. I eliminated the button down at the front and put a zipper at the back. I embellished the front bodice with cotton lace, bias piping and bias tape before I sewed the pieces together. The bodice I drafted was a little too short, so I added a "belt" so the waistline would sit right at my waist instead of above it (I felt that a too-high waist made my own waist look bigger). I also pleated the skirt, rather than gather it.

And after about three days of sewing (about an hour a day, it was so hot in my sewing room),  voila!

HIPPIEDOOM!

I love this dress, the skirt has great swish and I feel pretty wearing it. The bodice fits me perfectly and my waist looks smaller than usual. Wearing it reminds me of my younger days as a Goth (though I am still a Goth, I'm hardly what you would call "young") when I used to wear long skirts even in tropical weather. This is definitely a wear-again for me, but now that I'm older, I'll wait for cooler weather.

Lyra, all of nineteen years old in 1999.

Cotton/Silk Embroidered Blouse for Mom: DONE!

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The Details


MATERIALS: 4 yards (yes, you read that right) 60 width Cotton/Silk (70/30), 1 pack of cream colored bias tape, five spools of white thread (four for the serger, one for the machine) and half a yard of cream colored cotton twill tape.


DURATION: May 5 to June 7, 2011. Embroidery from May 5 to June 2. Sewing took a total of two days, June 6 to 7. 


PATTERN: Self-drafted according to Mom's measurements.


CONSTRUCTION: I really enjoyed making this blouse. The planning, embroidery, modifying the design and sewing was so much fun. 


The front bodice is doubled, so the embroidery is protected from skin and friction. 


I did change a lot of things from the original design. It was supposed to be a tunic with set in sleeves, but it ended up being a raglan peasant top instead. 


On to the horror stories: a bit of fabric got caught in the knife of my edger (eek) and there was a big hole next to the right arm-scythe and while I was doing the embroidery, Connor ate a melon popsicle and left an orange stain on the neckline. (DOOOOOOOOOM) So I cut away the offending parts and made the blouse raglan sleeved. Mom liked this silhouette better than the original so I'm relieved. 


I also originally cut the sleeves to be quarter sleeves, but mom changed her mind and wanted long sleeves instead. I cut more leftover fabric and connected it to the existing hem. I covered the unsightly seams with bias tape and hereby declare it a design feature. 


On to the next project! YAHOO!

Almost DONE!

The embroidery for Mom's summer tunic is almost DONE! I can't wait to see this thing on an actual body (before summer ends too) I do miss the sound of my industrial machine. While I am enjoying doing all this hand embroidery, I also want to get some actual sewing done. I have so many projects in line and I want to finish them all before the 20th of June (my birthday). I just want CLOTHES, demmet! 

Cotton Silk Blend (70/30) from Fabric Warehouse in Natural, DMC Rayon Floss in different colors, my largest embroidery hoop and size 26 DMC Tapestry needles.

This is why I'm taking a while. Try doing some hand-embroidery with this cheeky monkey on your back. Hee.


In other news, I really need to do something about my hair. Hmm.

Outfit of the Day: The Black Crepe Dress

Black Crepe 40s Dress. Black patent belt from Divisoria, ballet wedge shoes from CLN, dark purple tights from my sock drawer.

Just a quick outfit post. I had coffee a couple of days ago with my friend Carla who was leaving for New York the next morning ( I'm gonna miss your face, you crazy strumpet !!!)  and this is what I wore. I couldn't find a single seamed stocking in the magic sock drawer so I opted to wear dark purple tights instead. This is the third outfit of my no-jeans-rehab. I just wish I could get more stuff done sewing-wise, but with a three year old who has a fascination with pins, it's very hard.


In other news, I found this bedsheet in our Canlubang house, buried under our collection of inane looking-towels:

Super soft after a bajillion washes.

I have no idea if it's vintage or not. I do foresee a flowery border shirtdress in my future. Mwahahaha. Perhaps mimicking the dress style of the girl on the extreme right:

BEAUTIFUL. Look at her cute wedges!

Speaking of shoes, I need new ones. I ALWAYS need new ones. So I'm off to find the perfect pair(s). 

Outfit of the Day: La Dia De Los Muertos Sunday's Best

Day of the Dead Blouse, me; High-waist pleated skirt, me; shoes by Kenneth Cole; kiss-lock purse by Alfa Delon; Cuban-heeled seamed stockings from Annelyn (heehee!); all my jewelry from my bling-loving mom.

This is what I wore last Sunday (March 20th 2011) to little Zoe's baptism. Remember that yard and a half of Day of the Dead fabric I bought on a whim? I wanted to turn it into a purse in the beginning (I was even able to locate a long lost silver kiss-lock frame just for that purpose!) but decided I would get more use out of this material if I used it for a garment. Fortunately, I had some cream colored cotton scraps available for the collar and the sleeve bands, so I didn't have to buy any more fabric. I finally used the vintage buttons I have been hoarding for the longest time on this thing.

Festive Dead!

The skirt was made out of black crepe with vintage buttons used as fastenings. No zippers here! I wanted box pleats for the skirt because... well, I kinda like box pleats. They look so... academic. And this skirt has terrific twirl, without exposing my ohsosehksay granny panties underneath (I kid... not really) I was also inspired by the high waisted 40's trousers and skirts from the 1940s. Almost everyone is into low-waisted skirts and trousers these days and I'm kinda tired of it. I figured, what the heck right?

Lipstick is MAC's Russian Red, which I am rapidly running out of. Must go to a nearest MAC soon!

The combination of puff sleeves and a high waist may or may not work for some people and it may not even work for me, but I'm just so happy with it. 

The priest is late.

My Cuban-heeled stockings in action.

My pretentious "fashion" blogger pose AKA the priest is REALLY REALLY late, I am very very hungry and these normally comfortable heels are killing me.

The baptism was a chaotic affair. There were about a dozen kids of different ages and sizes that were freaking out from the sheer amount of people, all that waiting for the priest who never showed up (another priest had to take over) and most of all, the heat. I was so glad I was wearing a skirt. At least I was somewhat ventilated. 

Outfit of the Day: The Red Cross Shirtdress

This is what I wore today. The dress is patterned after the "Grey Lady" American Red Cross Uniform of World War 2 in Japanese cotton fabric from Cotton Depot, Glorietta 5. The print is a bunch fans and flowers on a pretty jade background. The wedges are from Salsatrends, a local brand (I believe) and my black leather kiss-lock purse is from Alfa Delon.


I am slowly taking jeans out of my life (except when it's absolutely necessary, like when I have to go to certain dirty areas where wearing a skirt is simply NOT an option) I've always wanted a shirt-dress, but none of the shirt-dresses I've seen in the malls or online really appealed to me. Nothing looked right, there was always a catch. It was either too baggy, too drab, too bright, too thin, too short, too shiny, too scratchy... etc. I didn't want a drab, baggy boyfriend shirt dress, I'm a big girl (circumference-wise anyway. I'm kinda short, height-wise) and a drab, baggy boyfriend shirt dress is not going to do me any favors. So I looked to the past (as I always do) and I came across these pictures from the blog Unsung Sewing Patterns:

Photo from http://www.unsungsewingpatterns.net/

Photo from http://www.unsungsewingpatterns.net/

I was sold. A buttoned belt! Pockets! A flattering Princess style line! Tiny epaulets! Fantastic. My seamstress was also pleased because it was an easy dress to make (as opposed to the more complicated dresses I have her sew for my clients when I'm too busy with other things or too swamped with other projects to sew it myself) I love my seamstress. She does such excellent work. 

Pictures taken using my Blackberry camera phone. It was already late afternoon and the light was just mehhh. Better pictures coming soon!